An interesting article by Xan Brooks in today’s Guardian here on how Shane Meadows’s new film Somers Town has been entirely funded by Eurostar! Wow. It’s an alternative method of film financing that's for sure, but when characters start waving Eurostar tickets at the camera with gleeful abandon, it all threatens to get a bit Perfect Stranger for me – and this comes from someone who absolutely loves Eurostar.
My own experience with product placement might be enlightening for some (or not – you know, whatever). During my mostly hungover time working for a champagne house (for Christmas, each member of staff would receive six cases of the stuff), the odd request from a film production company would come in, only to get mercilessly ignored (champagne is a finite product that essentially sells itself without the benefit of a huge amount of advertising). If we had been interested, there was no way on earth we would have ever allowed the product to be seen in an unflattering light – great for the brand of course, but probably not so great for any film’s narrative. The most intriguing request we received was for a film about terrorism. Hmmm – not quite sure what they wanted a grand marque champagne for (probably something to do with the wrap party), but the ‘brand fit’ was entirely misjudged.
In terms of financing, it’s certainly a novel and interesting route to take, but surely the best organisations to target would be those that have some relevance to the subject matter of your film: if the protagonist is a photographer, try Canon, or Olympus. If he’s obese, try Krispy Kreme doughnuts (yum!). You get the idea...
You’d hardly recognize Arlo Finch overseas
3 days ago